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'The Sanctuary Districts are a means simply to remove homeless people from public view,' he tells BBC Culture. įor Stephen Pimpare, senior fellow at the Carsey School of Public Policy, this concept mirrors the US government's attitude towards homelessness in the 1990s. Thus, the idea of the Sanctuary Districts was born.

Taking this idea to an extreme, Behr and co-writer Robert Hewitt Wolfe imagined what a near future might look like where homelessness could be fully ignored. He noticed 'homeless people everywhere' and how tourists 'were walking past these homeless people as if they were part of the scenery'. 'It was a beautiful day,' Behr remembers. In a behind-the-scenes DVD feature, Deep Space Nine showrunner Ira Steven Behr recalls that a visit he made to Santa Monica inspired these episodes. This discomfort was a key inspiration for the episode writers, who believed that mid-90s America wasn't addressing its challenges with homelessness. He may serve as a sort of proxy for the viewer's own discomfort at confronting the issue. He admits that he never educated himself about the period because he finds it 'too depressing'. On receiving this 21st-Century history lesson, the idealistic Bashir is shocked. They'll be torn down and the United States will finally begin correcting the social problems it has struggled with for over a hundred years.' Sisko adds that this uprising 'will change public opinion about the Sanctuaries. He recalls that anger over the Sanctuary Districts reaches a boiling point in 2024, resulting in 'one of the most violent disturbances in American history'. Shortly afterwards, Sisko, an expert in 21st-Century history, realises their arrival date is significant. 'By the early 2020s, there was a place like this in every major city in the United States,' Sisko explains to Bashir.

We learn that this facility is designed to separate the homeless and unemployed from the rest of society. Sisko and Bashir are escorted to a walled-off section of the city, known as a Sanctuary District. 'There's a law against sleeping in the street,' they tell the confused time travellers.

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This instalment sees series protagonist Commander Sisko and his crewmates accidentally transported back in time from their 24th-Century starship to San Francisco in 2024.Īs they are waking from the unconsciousness of time travel, Sisko and his crew member Dr Bashir are mistakenly identified as homeless by armed officers. The issue is addressed in the two-part episode Past Tense, which aired in January 1995. The challenge in question is homelessness, and humanity's mistake is to hide from the problem, rather than solving it. And, as we enter the real 2024, it remains a challenge that is just as urgent as when the episodes aired. But unlike Star Trek's other predictions of global disaster, this mistake exists at a more relatable level. Although these predicted catastrophes seem overblown, they speak to a truth which may account for the franchise's enduring appeal: that suffering through grave mistakes can eventually lead humanity to a more egalitarian and peaceful future.Īccording to 1990s series Star Trek: Deep Space Nine, one of humanity's worst mistakes comes to a head in 2024. These forecasts of doom are key to the franchise's backstory, sketching out humanity's difficult road to the idealistic 23rd and 24th Centuries, where Star Trek is primarily set. Later instalments predicted more tough times ahead, with World War III scheduled to begin in 2026, followed by an era of 'post-atomic horror '. In the original 1960s series, Star Trek's most famous villain, Khan, introduced viewers to the 'Eugenics Wars', a massive conflict arising in the 1990s due to experiments in human genetic engineering. With 11 television series and 13 films, produced across seven decades, Star Trek has inevitably seen several predicted events on its timeline proven untrue.

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10 of the best TV shows to watch this January Nonetheless, these stories remain relevant, decades on from their predicted dates, thanks to their broader insights on timeless themes – from authoritarianism to human evolution. Nor did the interplanetary travel of Stanley Kubrick's 2001: A Space Odyssey exist by the new millennium. For instance, the perpetual war of George Orwell's Nineteen Eighty-Four never came to pass by the year of its title. But the most successful works are able to survive and reach new audiences even after their predictions have been proven untrue. It's tempting to view fictional stories set far in the future as visions – dystopian or otherwise – of what might come to be.